A capstone project for the Master’s in Visual Communication Design at Srishti Institute of Art, Design and Technology.
De-Coding Ikat:A Visual Exploration of Patterns through Generative Design

Approach: Transdisciplinary, Self-Driven Research
Duration: 4 months

This project investigates the integration of traditional artistry and modern technology, with a focus on preserving thecultural aesthetics of Indian Ikatwhile reimagining its patterns for the digital age. It examines visual perception, symbolic meanings, and design principlesrooted in Indian visual language, using generative design as a tool for reinterpretation. By bridgingage-old textile traditions with computational creativity,the project opens new pathways for cultural expression in contemporary design practice.

This project is motivated by the desire to explore howart, design, and technology can intersect to reinterpret traditional crafts like Indian Ikat throughgenerative design.It aims to show how creative coding can serve as a bridge between cultural heritage and contemporary expression. The work is intended fordesigners, artists, and technologistsinterested in Indian visual language, computational design, and craft-informed innovation.

Illustration outlining the transdisciplinary nature of the project

To investigate the cultural and historical significance of Ikat patterns, the research phase commenced with a comprehensive study of both global and Indian Ikat traditions. Field visits to weaving centers offered direct exposure to traditional practices, enabling a deeper understanding of the intricate weaving techniques and the rich cultural narrativesembedded within these patterns.

This phase involved deconstructing Ikat patterns by examining motifs, repetition, and grid compositions.Focus was given tovertical, horizontal, and double-pattern structures, exploring their role in creating visual rhythm and conveying cultural meaning.

Ikat patterns show a striking resemblance to the layout of Pachisi, a traditional board game that originated in India.

Pattern Analysis: Identifying the motifs, grids and compositions.

In this phase, I explored how traditional art forms can be reinterpreted to bridge cultural heritage with contemporary design practices.I also examined the role of generative designin graphic design, analyzing its potential to enhancebranding, visual identity, and digital media,thereby expanding the boundaries of creative expression.

Explored how traditional art forms can be reinterpreted.

This phase focused on developingIkat-inspired motifsthrough continuous experimentation and iteration. By testing variations across grid structures and dynamic compositions,the project moved beyond traditional constraints to explore moreadaptive and contemporary design applications.

Coding the Motifs and compositions in processing.js